Dwan Hill brought us in to film the first Choir Room ever held, before anyone outside that room knew what it was.
May 2022, a studio on Nashville's Music Row. Music stands, a piano, an organ, and a stack of black folders with printed lyrics inside. The founder came to us to have the first one filmed, which meant committing a crew to something that had no audience yet, no name anyone recognised, and no second attempt if the night went sideways. It also could not be covered like a concert, because there was no stage and no audience in the room at all. The people who showed up were the choir. That is the entire point, and the exact reason a long lens at the back of the house would have come away with nothing.
We covered it like a live broadcast rather than a video shoot, with operators working inside the room instead of behind it, so the frame sits within the circle rather than looking in at it. Positions were assigned around the music, the organ, the percussion, whoever was leading, and above all the faces, so the edit always had a reaction to cut to. We came back for several of the early gatherings and cut a body of work out of them, shooting to the arrangement rather than to a running time and keeping the edit in-house so the material stayed in one set of hands from the room to the release.

The Choir Room's community grew past five thousand people. It signed to Centricity Music, went out on a national tour, and put a number one Gospel radio single on its debut album. All of that belongs to Dwan Hill and the people who kept showing up. What we hold is the record of the beginning, the first night and the rooms that followed it, filmed while it was still a hundred people, an organ, and a stack of lyric folders.